With the turn of the century and a new millennium, T. Mark Cole’s work was evolving quite radically towards the abstract. As with all artists who work long enough in their particular field of art, it evolves and/or morphs into something different from whence it started. While growing, the artist still maintains certain passions in their work and still continues to create in their own unique style.
With a passion from an early age for architecture and growing up surrounded by artwork amongst a family that boasted four generations of artists, an appreciation developed for all forms and styles of art. Always observing everything in a consistently changing landscape, Mark found his “Happy Place” with drawing. After four years at the Pennsylvania Academy of Fine Arts (PAFA), he became a landscape painter with some kind of architectural composition or structure in it.
Working on architectural miniatures, on commission, for private clients led to him being hired to document historic architectural structures on Mt. Desert Island for the Maine Historic Preservation Commission. This was followed by several years of lecturing and writing chapters on historic architecture, including two books about Stone Harbor, New Jersey where he spent childhood summers. While the books were being published, Mark also began building dioramas for the Brandywine River Museum, bringing paintings of Andrew Wyeth to life in 3-D.
It has also been a lifetime of observing that has allowed him to hone his skills as a successful art instructor, constantly being sought out to critique artwork by students and fellow artists, alike.
His new-found passion for abstract art didn’t seem to mesh well with his established reputation for traditional works. But his life-long love for architecture and its profound inspiration fueled his creative fires and he began a prolific period of creation.
With enough works and confidence to begin showing his abstract creations, Mark did what any artist looking to showcase another side of his talent would do: he created a nom de plume. Writers do it all the time, why not artists?
He wanted a name that would sound international and at the same time androgynous, so as not to pigeonhole the painter into any one corner or any one place. This led to the first name, “Favi,” a variation on the names “Fabio” and “Fabia,” and then the surname of “Dubo” as a nod to the drink Dubonnet, a long-time favorite of the artist’s cherished mother….
And so, Favi Dubo was born!
For nearly 8 years, Favi Dubo remained an elusive figure that began to gain recognition in the Philadelphia area, often communicating through his friend, T. Mark Cole!
It was finally around 2011 when Favi was honored with an award that Mark finally came forward revealing the story behind his nom de plume.